VA - American Baroque: Chamber Pop And Beyond (1967 - 1971) The 4th Movement kind of a touch country

kind of a touch country and occupying the same loose musical corner as Neko Case or Gillian Welsh

bringing together the worlds of folk rock

King Tubby set the blueprint not just for reggae and dub producers from that point forth but also the bedroom producers working today with laptops and minimal tools trying to make something special with limited resources

Blood Moon

VA - American Baroque: Chamber Pop And Beyond (1967 - 1971) The 4th Movement kind of a touch countryThe heyday of American baroque pop or chamber pop ran from 1966 to the turn of the seventies. It used string quartets, harpsichords and woodwinds to create a summer into autumn melancholy that was quite new, and quite far removed from rocknroll as Eddie Cochran would have known it. Baroque pops musicians often came from a folk background, with an affinity for acoustic instrumentation. Linda Ronstadts first band the Stone Poneys had introduced the